His first assignment was as Supervising Animator of Aladdin’s wise-cracking Genie.
With the success revival of animation due to films like Who Framed Roger Rabbit? and The Little Mermaid, Eric returned to Los Angeles for what turned out to be a 10-year run at the Walt Disney Studios. There he directed spots with such diverse techniques as cel-animation, brush-painting, stop-motion and pixillation, colored-pencil rendering, live-action and animation combinations, and digital compositing. Upon the completion of Ziggy’s Gift, Eric landed back in London, where he co-founded Pizazz Pictures, a commercials studio with a world-wide clientele. From there he moved to Los Angeles to serve as Director of Animation on the Emmy-winning Ziggy’s Gift, based on the popular newspaper cartoon. When the film was completed, Eric joined Williams in London as a director-animator on countless television spots.
Cracked hand drawn colored pencil animation movie#
Eric’s Super-8 films won top prizes in the Kodak Teenage Movie Awards, including 1974’s Grand Prize of summer film courses at the University of Southern California.Īfter attending Pratt Institute in Brooklyn, NY, where he majored in Illustration, Eric became a full-time assistant animator on Raggedy Ann and Andy, directed by Richard Williams. He is equally at home with traditional hand-drawn animation and the most up-to-date computer animation, and has pioneered ground-breaking techniques in both worlds.Įric’s animation knowledge started early, creating flip books at age six and eventually creating Super-8 films from the age of thirteen. Eric Goldberg, a veteran Director, Designer and Animator, has worked extensively in New York, London and Hollywood creating feature films, commercials, title sequences and television specials.
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